exposição | exhibition, Paiol da Cultura do Inpa, Manaus 2019

27 maços de folhas da floresta Amazônica costuradas umas nas outras com linha vermelha. Cada um faz referência a uma usina hidrelétrica construída ou planejada na bacia Amazônica | 27 bunches of Amazon forest leaves sown together with a red thread that hangs them on the wall. Besides each bundle the handwritten name of a hydroelectric dam built or planned in the Amazon basin. Installation at Paiol da cultura Inpa, Manaus, 9 x 2,20 m.

Fotos das árvores mortas na represa de Balbina, um dos maiores desastres ecológicos no Brasil. Impressão digital sobre tecido voile. Photos of dead trees at Balbina dam, one of the worst ecological disasters in Brazil. Large format prints on voile fabric. Installation at Paiol da Cultura, Inpa, Manaus.

Fotos das árvores mortas na represa de Balbina, um dos maiores desastres ecológicos no Brasil. impressão sobre tecido voile. Photos of dead trees at Balbina dam, one of the worst ecological disasters in Brazil. Large format prints on voile fabric. Installation at Paiol da Cultura, Inpa, Manaus.

Photo on voile fabric. Installation at Z42 Gallery, Rio de Janeiro. Pictures of the dead trees at Balbina hydroelectric dam, Amazonas.

Organic bio dye on tree. Installation at the Balbina Hydroelectric Dam, Amazon | considered one of the biggest ecological disaster in Brazil.

Organic bio dye on tree. Installation at Villa Epecuen, Argentina | Flooded for human interference with nature in 1985.

2016, acrylic, nylon thread, installation as Seoul Art Space Geumcheon, South Korea. The work comprises sculptures, a sound piece and a scrolling text on a monitor. The red lines are the drawings of borders recent (2016) refugees have to cross in order to evade from famine, war, violence, political and religious intolerance, totalitarian repressive regimes, etc.